Elizabeth Cotten Discography |
1958 | Freight Train and Other North Carolina Folk Songs and Tunes (CD Folkways SF 40009) | |
1967 | Elizabeth Cotten Volume 2: Shake Sugaree (Folkways CD F-31003) | |
1979 | Elizabeth Cotten Volume 3: When I'm Gone (Folkways CD F-03537) | |
1984 | Elizabeth Cotten Live! (LP Arhoolie 1089 now available as CD 477) |
1958 | Various Artists / Folk Music USA. Vol. 1 (Folkways FE 4530) |
19?? | Various Artists / FOLK SONG AMERICA, VOL. 2 (Smithsonian/Folkways CD 00462) |
198? | Mike Seeger / Second Annual Farewell Reunion (Mercury SRMI-685) |
1986 | New Lost City Ramblers/ 20th Aniversery Concert (Flying Fish FF 090) |
1991 | Etta Baker / One-Dime Blues (Rounder CD 2112) |
1990 | Various Artists / A Fish That's a Song (Folkways CD 45037) |
1993 | Various Artists / Blues With a Feeling (VANGUARD VCD2-77005) |
1996 | Various Artists / Mean Old World: The Blues from 1940 to 1994 Smithsonian Blues Box (Smithsonian Institution Press 0003/ 0004) |
1996 | Various Artists / Smithsonian Folkways American Roots Collection (Smithsonian Folkways CD 40062) |
1997 | Various Artists / CLOSE TO HOME: OLD TIME MUSIC FROM MIKE SEEGER'S COLLECTION (Folkways CD 40097) |
1998 | Various Artists / North Carolina Banjo Collection (Rounder CD 439) |
1958 Folksongs and Instrumentals with Guitar a.k.a. Negro Folk Songs and Tunes (Folkways FG 3526) re-titled as Freight Train and Other North Carolina Folk Songs and Tunes (reissued as Folkways CD SF40009, CA C40009 on Nov 15, 1989) [Jacket image] (link to Smithsonian Falkways)
Cover Design by Ronald Clyne. This complete reissue of Elizabeth Cotten's first LP is best known for containing the original recording of her classic Freight Train. The breadth of her repertoire and endearing style have captivated generations of guitarists and fans of traditional American music. Freight Train includes guitar and banjo accompanied songs and tunes and features Mike Seeger's updated notes that include comments on Cotten's life, music style, and song lyrics. Cotten's self-taught, upside-down, left-handed style made her one of the most original guitar and banjo players in the history of American folk music. Several of her deeply personal compositions, such as the immortal Freight Train and Oh Babe It Ain't No Lie, are included. "...a classic and belongs in every collection..." -- Blues Review Quarterly ." -- Sing Out Liner notes by Mike Seeger |
1967 Elizabeth Cotten, Volume 2: Shake Sugaree (Folkways, Originally issueed as FT 1003 now available as F-31003 - available *only on demand* as cassettes or CDs dubbed from masters.)
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1979 Elizabeth Cotten, Vol. 3: When I'm Gone (Folkways, Originally issued as FA 3537, now available as Folkways F-0357)
Recorded by Mike Seeger |
1984 Elizabeth Cotten - Live! (Arhoolie, Originally issued as FA 3537, reissued as Arhoole 477 on October 1998) [Jacket image] (link to Arhoolie Records)
(Total time: 50:07 min.)
Elizabeth Cotten was the author of the folk classic Freight Train, at age 12, and other standards such as Babe It Ain't No Lie and Sugaree. Ms. Cotton won a Grammy for Best Folk Album with this live recording that reveals her natural and charming approach to music and storytelling. Her finger picking guitar style (left handed, and upside down) has been imitated by thousands of folk guitar players. Her songs have been performed and recorded by a variety of artists including: Pete, Peggy and Mike Seeger, the Grateful Dead, Peter, Paul and Mary, Taj Mahal, Fred Neil, and Maria Muldaur. This is a re-issue of Arhoolie LP 1089.
No dates are given for this live disc, although according to the liners, "this album is a sampler of performances during her ninth decade" (which would be roughly the early 1970s to the early 1980s). She does some of the most popular items from her repertoire over the course of this 50-minute recording, including "Freight Train, " "Shake Sugaree, " and "Oh Babe, It Ain't No Lie" (which was covered by the Grateful Dead). The guitar playing is good, the vocals are less impressive; there's plenty of storytelling between the numbers, and audience participation on some of the choruses during the songs. -- Richie Unterberger, All-Music Guide |
1958 Various Artists / Folk Music USA. Vol. 1 (Folkways 04530)
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19?? Various Artists / Folk Song America, Vol. 2 (CD Smithsonian/Folkways 00462 :December 13, 1993)
Producer: Margaret Robinson, Dennis Britton, Franck Rivaleau |
198? Mike Seeger / Second Annual Farewell Reunion (Mercury SRMI-685) out of print |
1986 New Lost City Ramblers / 20TH ANNIVERSARY CONCERT: Live at Carnegie Hall (Flying Fish FF 090, reissued as CD on 12/15/93) [Jacket image] (link to All Music Guide)
John Long - Mixing Mark Greenberg - Liner Notes Highwoods Stringband - Mike Seeger - Fiddle, Mandolin, Autoharp, Vocals John Cohen - Guitar, Mandolin, Triangle, Vocals Tracy Schwarz - Fiddle, Guitar, Accordion, Vocals Libba Cotten - Banjo, Bass, Guitar, Autoharp This is a nicely spirited celebration of a band that was longer-lived than many of its old-time role models. -- Mark A. Humphrey, All Music Guide |
1991 Etta Baker / One-Dime Blues (Rounder CD 2112: 08/06/91) [Jacket image] (link to Amazon.com)
(53:17) Producer: Wayne Martin Producer: Lesley Williams Etta Baker: Banjo, Guitar, Vocals Cora Phillips: Guitar Blind Boy Fuller Elizabeth Cotten Reverend Gary Davis Etta Baker is a virtuoso performer in a style heard infrequently these days -- the finger-picked guitar tradition known as the Piedmont blues. Using a two- and three-fingered technique similar to that of other North Carolina guitarists such as Elizabeth Cotten, Rev. Gary Davis, and Blind Boy Fuller, Etta creates music that is remarkable in its range and depth. This is the first full album of Baker's recording career, which began in 1956 -- masterworks from an exceptional artist. Guitarist/vocalist Etta Baker hadn't made any recordings or even been in a studio since 1956 before making the 20 numbers comprising this CD. But judging from the arresting vocals, prickly accompaniment and commanding presence she displayed on each song, it seemed as if she had been cutting tracks daily. Baker moved from sassy and combative blues tunes like "Never Let Your Deal Go Down" and "But On The Other Hand Baby" to chilling numbers like "Police Dog Blues, " novelty tunes, double-entendre cuts, folk pieces, and even country-flavored material. Singing and playing in vintage Piedmont style with a two- and three-finger technique, Etta Baker offered timeless, memorable performances. -- Ron Wynn, All-Music Guide "This is a splendidly crafted album . . . gentle, rolling finger-picking blues and traditional acoustic guitar." --The Pittsburgh Press "Wonderful, wonderful collection of Piedmont blues guitar picking by one of the best players my ears have ever met." --San Diego County Preview Recommended - "...There is a wealth of traditional music here, mainly from the black Appalachian blues of the early part of the century...This disc is a treasure." Option - Jan/Feb 92 "...one of the most enjoyable releases for many years...an intimate collection and it is as if you were in her parlour at home. The songs are well chosen and the guitar playing is clear, confident and full of joy..." Blues & Rhythm - Nov 91, p. 21 |
1990 Various Artists / A Fish That's a Song (Folkways 45037 : 1991/10/22)
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1993 Various Artists / Blues With a Feeling (VANGUARD VCD2-77005: 1993/5/18) Disc 1
Stereo / Live / 121 minutes Produced by Mary Katherine Aldin Liner notes by Mary Katherine Aldin Engineer: Jeff Zaraya (Compilation) Recorded at the Newport Folk Festival, Newport, Rhode Island, 1963-66 (1968 where indicated *) All tracks previously unreleased except where indicated ** |
1996 Various Artists / Mean Old World: The Blues from 1940 to 1994 Smithsonian Blues Box (Smithsonian Institution Press 0003/ 0004: 07/23/96) [Jacket image] (link to All Music Guide) Disc 1
This four-disc set is just what you might expect from Smithsonian -- comprehensive and well-conceived. It contains representative major blues figures for each time period for the years 1940 through 1994 -- everyone from Ma Rainey to Taj Mahal. For most periods, the selection is excellent. The only downside to this approach is that for time periods with great blues activity, some major artists have been dropped from the collection, while for other time periods with low blues activity, minor artists are included. This approach results in biographies and selections for artists like Earl Hooker, Big Walter Horton, and J.B. Hutto missing from the collection. Aside from the above complaint, this is the best collection for its size (four discs) that has been produced to date. The artists selected and the selections for each of the artists are in most cases excellent -- the best of the best, so to speak. This is a veritable tour of the best in recorded blues. The 90-page liner notes by Larry Hoffman contain copious notes on the various selections, including artist biographies (and photos!), comments on the takes, etc. -- perhaps the most thorough liner notes of its kind. The introductory essay focuses more on race relations than on the blues music. -- Michael Erlewine, All-Music Guide MEAN OLD WORLD: THE BLUES FROM 1940-1994 was nominated for a 1997 Grammy Award for Best Album Notes. |
1996 Various Artists / Smithsonian Folkways American Roots Collection (Smithsonian Folkways 40062: 1996/6/18) [Jacket image] (link to Amazon.com)
Producer, Compilation: Amy Horowitz, Anthony Seeger Mastering: David Glasser Photography: Ralph Rinzler Arranger: Doug Wallin Coordination, Technical Coordinator: Pete Reiniger Production Coordination: Mary Monseur, Michael Maloney Editing: Carla Borden, Jeff Place |
1997 Various Artists / CLOSE TO HOME: OLD TIME MUSIC FROM MIKE SEEGER'S COLLECTION, 1952-1967 (Folkways CD 40097, June 17, 1997) [Jacket image] (link to Amazon.com)
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1998 Various Artists / North Carolina Banjo Collection (CD Rounder 439: Mar 10, 1998) [Jacket image] (link to Rounder Records) Disc: 1
Producer: Bob Carlin Mastering: David Glasser Remixing, Mixing: Wes Lachot Illustrations: Azechi Atsu Design: Nancy Given Photography: Alice Gerrard, Frank Jones, Robert "Bob" Winans Liner Notes: Wayne Martin, Bob Carlin, Robert "Bob" Winans Transfers: Bob Carlin, Jeff Place, Mike Casey Engineer: Bob Carlin, Mike Seeger, Vernon Dalhart, Wayne Martin Kyle Creed, Steve Fisher, Joel Johnson, Ralph Rinzler, Lesley Williams, Carson Robison, Tom Carter, Blanton Owen, George Steele, B.F. Jarrell, Robert "Bob" Winans Perhaps the most remarkable thing about this disc is the amazing range of styles culled from banjo players in a single state. The fact that the recordings were gathered over many decades provides uneven recording quality, but all the performances are riveting. While the two-disc set might be overkill for the casual listener, true banjo lovers will find years of listening pleasure. -- Tim Sheridan, All-Music Guide |